{"id":2234,"date":"2007-03-12T16:24:35","date_gmt":"2007-03-12T16:24:35","guid":{"rendered":"https:\/\/www.clutagpress.com\/?post_type=product&p=2234"},"modified":"2017-03-14T21:11:15","modified_gmt":"2017-03-14T21:11:15","slug":"the-camouflage-school-tom-paulin","status":"publish","type":"product","link":"https:\/\/www.clutagpress.com\/product\/the-camouflage-school-tom-paulin\/","title":{"rendered":"The Camouflage School – Tom Paulin"},"content":{"rendered":"

The five poems in this important collection – ‘Sidney Philip’ (a poem about Philip Larkin, his father and the war), ‘Battle of the Atlantic’, ‘My Name is Edward Wadsworth’, ‘Convoy to Archangel’, ‘Noor Inayat Khan (S.O.E. Dachau)’ – are all published here for the first time. They show Tom Paulin writing as movingly, passionately, and inventively as ever he has written before. Part of his continuing ‘loose-leaf’ epic of the Second World War, begun in 2002 with The Invasion Handbook<\/em>, these poems bear unflinching, compassionate witness to the tragedy of war, and in particular the special horrors of war at sea.<\/p>\n

Paulin’s canvas is as wide as the Atlantic – that ‘great lens… watching us till the storms \/ we crave burl and wrap us \/ from the U-boat’s single eyes’. But his response to individual suffering could not be more particular, more moving or profound, more intuitive in its sympathies, more felt in its self-awareness, whether regarding a drowned merchant seaman ‘Known unto God’, or a victim of Dachau. These poems are strikingly graphic and brilliantly asociative in their visual imagery.<\/p>\n

The collection’s title derives from a poem about the artist Edward Wadsworth. Recruited with others – ‘Vorticists and Futurists all’ – to a project ‘deep in the Liverpool docks’ devoted to creating ‘dazzle-ships – \/ so that what was wide \/ was also tall’, Wadsworth and his colleagues are said to have brought their studios ‘and Europe’s galleria’ to the Atlantic. Their purpose there is to create a visual d\u00e9r\u00e8glement<\/em>, to foil the periscope’s searching eye. Throughout the collection, but most notably in this poem, where modernity at its most barbarous press-gangs modernism into service, aesthetics and poetics engage, as the tragic subject of war dictates, with ideas of artistic integrity, perception and conscience.<\/p>\n

Limited edition of 250 copies.<\/p>\n

 <\/p>\n

(Clutag Press, 2007)<\/p>\n","protected":false},"excerpt":{"rendered":"

The five poems in this important collection – ‘Sidney Philip’ (a poem about Philip Larkin, his father and the war), ‘Battle of the Atlantic’, ‘My Name is Edward Wadsworth’, ‘Convoy to Archangel’, ‘Noor Inayat Khan (S.O.E. Dachau)’ – are all published here for the first time. They show Tom Paulin writing as movingly, passionately, and inventively as ever he has written before. Part of his continuing ‘loose-leaf’ epic of the Second World War, begun in 2002 with The Invasion Handbook<\/em>, these poems bear unflinching, compassionate witness to the tragedy of war, and in particular the special horrors of war at sea…<\/p>\n

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